It was originally used for Street Scene (1931) and was re-cycled by 20th Century Fox as a sort of New York City Noir signature theme. It crops up on, Cry Of The City, Kiss Of Death, I Wake Up Screaming, and The Dark Corner.
The film was directed and produced by Otto Preminger (it's one of the five Classic Film Noir he directed). The writing credits are Ben Hecht for the screenplay. Victor Trivas, Frank P. Rosenberg, and Robert E. Kent for the story adaptation of the novel Night Cry by William L. Stuart.
The film stars Dana Andrews as sadistic Detective Sgt. Mark Dixon, Gene Tierney as Morgan Taylor-Paine,Gary Merrill as Tommy Scalise, Bert Freed as Detective Sgt. Paul Klein (Dixon's partner), Tom Tully as Jiggs Taylor, Morgan's father, Karl Malden as Detective Lt. Thomas, Ruth Donnelly as Martha, owner of Martha's Cafe, and Craig Stevens as Kenneth Paine.
Caulk on sidewalk title |
The Paramount Building |
Dixon (Andrews) and Klein (Freed) |
16th Precinct House |
Insp. Nicholas Foley (Robert F. Simon) |
Insp. Nicholas Foley: Your job is to detect criminals, not to punish them.
Dixon pushes back saying that he get's results. Foley tells him he's dropping him down a pay grade, and if he gets another complaint he'll be pounding a beat in uniform.
"I get results" |
Tommy Scalise center (Merrill) |
Morgan (Tierney) and Paine (Stevens) |
the "fish from Texas third from right |
Ken is mortified and Scalise and his crew are pissed. Ken confronts Morgan who insists she must leave. When she protests Ken slaps her. The 'fish" sees that and takes a slug at Ken. A short fight results in the "fish" knocked out and laying on the sofa and Ken and Morgan leaving.
Back out on patrol after their meeting, the patrol car carrying Dixon and Klein are called to a murder scene at a Times Square Hotel. It turns out the "fish" has gotten a knife through the heart and is dead in Scalise's suite.
Scalise points a finger at Paine saying he was pretty drunk. From dispatch they get a Pike Street address for Paine and head downtown. His brownstone apartment is empty but all his clothes and belongings are still there. Dixon says he' ll hang around and wait while Klein checks to see if he's out drinking in the neighborhood bars.
Pike Street with Manhattan Bridge in the Background |
Panicked and thinking quick, Dixon get's a suitcase out of the closet, makes his apartment it look as if Paine grabbed his clothes and beat feet out of town. Dixon drags Paine's body into an empty closet. Wearing Paine's trench coat he leaves the house and flags a cab down. Pennsylvania station he tells the cabby. At the station ticket counter he buys a ticket for Pittsburgh and checks the suitcase into the baggage room. When he gets back to Pike Street Klein is waiting for him in the apartment. He tell's Klein that he got tired of waiting and figured he'd also check out more neighborhood bars. Klein reveals that apparently while he was gone Paine showed up and split. Dixon tells Klein to take a cab back to the precinct and organize a dragnet for Paine. He'll cruise around the neighborhood to see if he's still possibly nearby.
Setting up the false getaway |
Jiggs leaving Pike Street |
Third Ave el or Manhattan Bridge subway? |
Jiggs (Tom Tully) and Dixon with George Washington Bridge through window |
Later, back at the squad room, Detective Thomas tells Dixon that they got a lead on the woman who was with Paine. Dixon heads to the salon where Morgan works as a dress model. He gets smitten with her, and takes her to lunch. At the restaurant he gets a call from the precinct telling him to report to an address under the Brooklyn Bridge. Paine's body was found floating in the river.
Later, Detective Thomas finds out about Jiggs going to visit Paine and suspects him as Paine's killer. It all goes Noirsville when Jiggs is arrested.
Noirsville
Neville Brand |
The main difference in the novel is that Paine has Morgan as his girlfriend rather than as an ex wife. Dixon still gets rough with him and accidentally kills him. In the novel it's Morgan who is the suspect in Paine's murder.
The film was supposed to try and keep the burner going under the Andrews/Tierney magic that ignited in the film Laura. It does manage to create some sympathy for Dixon's character once his backstory is revealed. Scalise is played to the hilt by Gary Merrill, he comes off as sort of a less sleasy more suave, slicker version of most of the type of characters played by Dan Duryea. Merrill obviously got more traction out of this. He did make quite a few more noirs but I've never seen half of them, Another Man's Poison (1951), Phone Call from a Stranger (1952), Night Without Sleep (1952), The Human Jungle (1954). I have seen A Blueprint for Murder (1953), Witness to Murder (1954) and the Transitional Noirs The Savage Eye (1960), and The Incident (1967).
Entertaining 8/10
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