Tuesday, July 14, 2026

Execution Squad aka La Polizia Ringrazia (1972) Vigilante Noir Italian Style

"Magnum Force before Magnum Force"

The First Poliziottesco* (*Developed during Italy's turbulent Years of Lead (Anni di Piombo), the films reflected rising crime rates, political terrorism, and public distrust in state institutions. The term itself playfully merges polizia (Italian for police) with the Americanized suffix -esco (meaning "-esque") Wiki) 

Director Steno (as Stefano Vanzina he was an Italian satirist, cartoonist, and writer/director of popular comedies, often starring Totò or Bud Spencer). 

Written by Steno and Lucio De Caro. Cinematography by Riccardo Pallottini (known for Sword and Sandal flicks, Spaghetti Westerns, Sci-Fi and Spy Films), and Music by Stelvio Cipriani (a few of his pieces used in Grindhouse 2007). 

The film stars Enrico Maria Salerno as Commissario Bertone (L'uccello dalle piume di cristallo) . Mariangela Melato (Swept Away, The Seduction of Mimi) as Sandra, Mario Adorf (Station Six Sahara. I Knew Her Well. The Red Tent) as District Attorney Ricciuti, Franco Fabrizi (I vitelloni, Nights of Cabiria, Witness in the City) as Francesco Bettarini, Cyril Cusack as Former Superintendent Stolfi, Laura Belli as Anna Maria Sprovieri, Jürgen Drews as Michele Settecamini, Piero Tiberi as Mario Staderini, and Corrado Gaipa as L'avvocato Armani the lawyer.

Story

We watch as a 1968 Alfa Romeo 1750 Berlina police interceptor descends a hill. From the looks of some of the foliage turning brown, it's probably mid October.  


BTW the Berlina doesn't look like much but it was a high-performance sports sedan with a 1,779 cc twin-cam engine, allowing police officers to match or outrun contemporary criminals on the autostrada. 

So the Berlia pulls up to what turns out to be a clubhouse of the Fidelis Club. It's a club for retired law enforcement officials.



Commissario Bertone gets out and asks the guy manning the reception desk for Mr. Stolfi. He replies that Stolfi is doing a TV interview. 

Stolfi is giving some spiel about Pinocchio, and complains about psychiatrist's and sociologists creating problems for law enforcement, but the gist of it all is that he thinks something radical has to be done about the crime situation. 



After the interview Stolfi is explaining to Bertone that since he's retired he can now say what he really thinks. Stolfi then informs Bertone that he really wanted to talk to him about the Bettarini case. Bertone replies that he just spoke his mind, he gets real frustrated when punks like Beterini go free.



Here starts a flashback.

We cut to a green police Alfa Romeo Alfetta Berlina with a blue "bubble gum machine" racing through the streets of Rome.  


Franco Fabrizi as Bettarini on rt.

In the back seat we see a policeman and Francesco Bettarini. Bettarini basically tells the policeman that compared to me you make peanuts. Bettarini is one of those slimy fucks with a sleazy lawyer L'avvocato Armani who knows all the angles. 

L'avvocato Armani is already at the police station. Bettarini just got off on a technicality. The press is there to interview Bettarini. While the press is rattling questions at Bettarini, Commissario Bertone sort of in the Dirty Harry mold is noticed and gets questioned also by Sandra a red haired press reporter and he complains about scum like Bettarini, can wiggle out from justice. 

Mariangela Melato as Sandra

Enrico Maria Salerno as Commissario Bertone

This is what Stolfi was "admiring."

Cut to the title sequence.

Here, is where we get the first sample of what this film does very well, gritty cinematography. 

It puts you there. Not only in the streets in the heart of Rome, but also right into the action. The excellent editing, achieves realistic chase sequences that take us also through back streets and dirt back alleys past deserted warehouses that never see tourists. 

We race down the service roads that ring the Leonardo da Vinci International Airport, and past deserted boatyards on the Tiber River delta by the Fiumicino where it joins the Tyrrhenian Sea.    

We get signature "Roman Noir" shots of very atmospheric and gritty depictions of very early morning / first light Rome, along with moody Roman nights that are also equally mesmerizing thanks to Riccardo Pallottini's cinematography. 

The title sequence begins with Mario Staderini wearing a brown sweater diving and Michele Settecamini wearing a jean jacket riding on a 750cc Moto Guzzi V7 through the Rome traffic. 

We cut to a husband wife outside the serranda (a locking roller shutter) to their jewelry shop. The husband is crouched down, unlocking it and then he slides it up. 


When done he hops back into their 1965 Alfa Romeo Giulia Super and drives off.  His wife begins to distribute watches behind the front display window.


We cut back to Mario and Michele. They turn down an alley and pull up catty-corner to the outside of the jewelry store. Michele hops off . 


Two painters take a morning coffee break by sitting down up against the corner of the building nearest Mario on Moto Guzzi. 


Michele walks into the jewelry store and we here gunshots. Michele runs out, one of the painters jumps up to stop the robbery and gets shot by Michele for his trouble. Mario guns the Moto Guzzi and they take off. 


The police are notified and all units are on the lookout for them. A patrol car spots them heading towards them and blocks the street. The two cops get out with rifles trained on Mario and Michele but when seeing the they are just two kids they hesitate.



Mario makes a U-ey, and turns a corner. They decide to split up and Michele hops off. 

Michele finds himself on a side street between a traffic cop and another patrol car. 




He spots a 1971 Innocenti Mini Matic with a girl, Anna Maria Sprovieri driving, waiting at the light by the cop. He hops in. She tells him to get out. He pulls out his gun. When the light changes they drive away.





Anybody the police find riding on a Moto Guzzi are pulled in a questioned. Michele has Anna Maria drive to a deserted boat salvage yard and they break into to the boathouse. 




Michele climbs up into a cabin cruiser covered with a tarp and orders Anna Maria into the cabin. 

When she gets into the cabin Michele tells her to strip naked.  

Anna Maria at gunpoint complies. He tells her to throw he clothes to him. He doesn't want to rape her he just wants to prevent her from escaping. 


Back at police headquarters we again see Sandra and other reporters who are hoping for any scoops on the latest killings. We also see Bettarini once again brought in for questioning. He was found with a gun matching the caliber used in the jewelry heist killing. He calls his lawyer and gets instructions over the phone on how to bait the cops into violating his rights in a fight. He lays the phone down on the desk while the lawyer records what happens. He gets the results he wants. After a meeting between Bertone, D.A. Ricciuti and L'avvocato Armani he is again set loose. 



Corrado Gaipa as L'avvocato Armani the lawyer.



Sandra the reporter has been developing a relationship with Commissario Bertone. They have dinner together and so seem to generally like each other. 




Bertone invites the press on a sort of tour of the Roman high crime and red light districts. This sequence actually uses a Roman tour bus, with Commissario Bertone acting as the tour guide.

Bus Tour








The next say the police receive a call to go to an auto wrecking yard where they find the junkman severely beaten. He tells the cops that two other cops did it to get info on who he lent his Moto Guzzi to. 


At the hospital  he gives out Mario's name and where he lives to District Attorney Ricciuti.  They bring in Mario's mother and sister. His sister is a prostitute and her mother keeps the books. 




It all goes Noirsville when we see Mario in the company of vigilante cops getting taken for a ride.




They bring Mario to the Tiber River. Their they bring him down to the stone La Banchina (berm) and them told he has about one minute to say his prayers.

Mario is tied to an iron ring in the Il Parapetto, and executed. It's the first execution of the squad and Commissario Bertone has to deal with, and there's more to come  


So Bertone has to deal with not only this execution squad and the kidnapping of Anna Maria by Michele but also now the loyalty of his men.

Noirsville









Mario Adorf as District Attorney Ricciuti with Mariangela Melato








































The pacing moves right along and the dubbed version I watched was perfect. Remember it's an Italian film and they were all shot M.O.S. and dubbed back in the studio. Just like The Good The Bad And The Ugly. Its worth a watch and definitely has a very Noir end. 7 /10.