Bennies had a euphoric stimulant effect, and it was widely used for recreational purposes. Benzedrine and other derived amphetamines were used as a stimulant for armed forces during World War II and the Korean War. It became a popular drug with the Beat Generation and long haul truckers who used 'bennies" to stay awake.
The trucker is wolfing down pills. Over dosing. Out of control. He's swerving all over the road and begins to hallucinate on coming headlights. He turns the wheel and goes over the embankment. Crash and Burn!
The rash of trucking accidents across the nation with amphetamine overdosed drivers, alerts the FDA they send undercover agents across the country to infiltrate the various trucking firms to get leads on dealers and suppliers. Tom Kaylor (Peter Graves) is sent winging it to Los Angeles.
Mink (Connors), Val (Powers) Tom Graves) |
Cab over with "drom box" + |
Wally (Roy Engel) |
Tom gets assigned at first with old man Wally Morse (Roy Engel). Wally has been driving 19 years and was a good friend of Val Owen's deceased husband, also a long haul trucker. Tom and Wally hit it off well, and begin driving the haul to Portland, Oregon.
Trucking
the grade |
Dunc's |
Tom, Dunc (Robert B. Williams), Wally |
Along the way Tom begins his investigations. He keeps asking about bennies around the various truck stops, service stations, and Ma & Pa beaneries that they frequent. Tom is showing a believable, for a trucker, interest in bennies. He asks questions about getting copilots from Dunc Clayton (Robert B. Williams) who is a truck mechanic and owner of Dunc's Truck Stop who also was once a trucker. From Dunk and everyone else he asks, he gets the brush.
Six Points |
The Six Point beanery |
Amy (Merry Anders) and Mink |
When they get back at the freight terminal one of the loaders starts hallucinating and attacks his fellow workers. During the struggle he has a heart attack. It's found out that he too overdosed himself.
On the long haul to Portland, Tom talks with Wally again about bennies, trying to get some info out of him. Wally says that the use is wide spread and is killing all his old friends. Talking with Tom about the situation gets Wally fired up to find out who is supplying the drivers. So Wally starts doing his own poking around. He ends up getting beaten to death.
Tom is now teamed up with Mink on another run and Mink offers Tom some copilots to help him get through the run. At Six Points Tom stops by Amy's cabin and accuses her of pushing bennies, he accuses her of having an active hand in killing the truckers she's selling the pills to. Tom wants her to rat out the suppliers. She tells him she'll think about it and let him know on his return run back to L.A.
Of course it all goes Noirsville with a few nice twists after Amy powders and leaves Tom a note naming names and Mink finally overdoses himself trying to kill Tom in the process.
Noirsville
Val's boarding house |
"bennies" |
FREAKED! |
The film has some great footage depicting the "the Road" of the 1950s and 60s the big rigs and outfits doing the hauls, the working truck stops, and the service areas on the highways and byways. One aspect of the film was head scratching and got my curiosity up. We are used to seeing semi trucks everyday while driving, but the trucks for Bodmer Freight Lines, looked a bit strange to me. Instead of the usual semi-tractor trailer rigs, the boys are driving a Cab over Peterbilt with an eleven foot "drom box" short for dromedary. So their outfit looks like an ordinary box truck with a tractor trailer attached to that. This was a popular setup for truckers out West for a number of years. The theory behind the drom box was the ability to haul more cargo while remaining within the established length limits of the time. Also the "drom boxes" were a handy storage area for chains, spare tires, tools, hand carts, etc., etc.
Death In Small Doses was directed by Joseph M. Newman (Abandoned (1949) 711 Ocean Drive (1950), Dangerous Crossing (1953), The Human Jungle (1954)), The film was written by John McGreevey and was based on an Saturday Evening Post article by Arthur L. Davis. The cinematography was by Carl E. Guthrie (eleven filn noir) and the music was by Robert Wiley Miller and Emil Newman. Screen caps are from Youtube. Entertaining, 6-7/10.
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