It's Noirsville, a visually oriented blog celebrating the vast and varied sources of inspiration, all of the resulting output, and all of the creative reflections back, of a particular style/tool of film making used in certain film/plot sequences or for a films entirety that conveyed claustrophobia, alienation, obsession, and events spiraling out of control, that came to fruition in the roughly the period of the last two and a half decades of B&W film.
Tuesday, February 6, 2018
Noirsville Iconic Images Of The week
Jack Leon Ruby (born Jacob Leon Rubenstein; March 25, 1911 – January 3, 1967) was the Dallas, Texas nightclub owner who fatally shot Lee Harvey Oswald on November 24, 1963. The Carousel Club owned by Ruby, was one of four downtown Dallas burlesque clubs. The other three being the Montmarte Club, The Colony Club, and The Theater Lounge.
"The Carousel Club was open seven days a week. Myers worked from 9 pm to 2 am. The show consisted of four girls, each with her own 15-minute act. There was a band—a trio of drums, horn, and piano—that performed original music composed for each routine. Between the strip acts, the club would feature other entertainers such as a comedian, magician, or ventriloquist—maybe a puppeteer.
Tammi True’s routine had a reputation for being raunchy. “Other girls said I was the dirtiest thing they’d ever seen,” she says. “I could dance, but I could do it tongue-in-cheek. I learned a long time ago that I was little and cute, and I could get away with stuff other people couldn’t.”
Myers then puts aside the scrapbook. “I’d do a thing where I’d be dancing, lean over, and look through my legs,” she says, standing up from the couch to demonstrate. She turns her back to me, spreads her legs, and tries to bend over. She’s able to bend only at a 45-degree angle. She looks back to me and says, “Can you see the whole show?” I laugh uncomfortably. Myers then turns around. “I’d do a half split.” Myers does not attempt the half split. “I’d fall down into it, and I’d go, ‘Would you say that’s stretching a good thing too far?’ ”
Myers sits down. “When I got up on that stage, I had everyone standing up on their damn feet, hollering, screaming, and hooting. You gotta work the crowd. Fifty percent of it is projection, and the other 50 percent is costuming and talent.”
" source stripper Tammi True to Dave Hopkins for D
"In June 1963, Ruby visited New Orleans, where he obtained the services of a stripper known as "Jada," who became his featured performer.
Jack Ruby and possibly two of his strippers
Jada and Ruby had numerous contract disputes and he was concerned about her high salary, recurrent absenteeism, and diminishing drawing power. Moreover, he thought that Jada had deliberately exceeded even the Carousel's liberal standards of decency in order to cause him to lose his license or to obtain publicity for herself. On several occasions Ruby excitedly turned off the spotlights during her act, and at the end of October 1963, he fired her. However, after Jada sued out a peace bond, she apparently recovered a week's salary from Ruby.
In addition to problems with its star stripper, the Carousel was required to employ three masters of ceremonies in rapid succession following the departure in about September 1963, of Wally Weston, who worked there about 15 months. And in early November, the band that had played at the Vegas Club for about 8 years left the Vegas to accept the offer of another Dallas club."