Directed by Irvin Kershner, written by Andrew J. Fenady and Irvin Kershner, Tom McGrath, and
Irwin Schwartz. The great cinematography was by Haskell Wexler (In the Heat of the Night (1967), Matewan (1987), Mulholland Falls (1996)), The jazzy/beat score was by Richard Markowitz.
The film stars Yale Wexler as Jim Bowers, Jonathan Haze, as Julian 'Ves' Vespucci, Steven Marlo as Nick Raymond, Abby Dalton as Kathy, Allen Kramer as Danny, Herman Rudin as Mitch Swardurski, Frank Harding as Capt. Richard R. Allen, and Herschel Bernardi as gangster Mr. Fennel.
A Tail Fin Noir, Stakeout On Dope Street is like Dobie Gillis Breaks Bad man, you dig?
You may not remember the film The Affairs of Dobie Gillis (1953), but it's spin off TV series The Many Loves of Dobie Gillis (1959–1963) was in rerun rotation for years, even as recently as this year it's been on cable. The series was about a sensitive, cerebral, teenager, Dobie, and his beatnik buddy Maynard, and his horny pursuit of all things female. Dobie lived above the Mom & Pop grocery store that his folks owned. But I've been digressing.
Lt. to rt. the leather satchel, Nick (Marlo), Ves (Haze), Jim (Wexler) |
Kathy (Dalton) Jim (Wexler) |
A mule collar |
Daytime. Ves has route. Drives a 1951 Plymouth Concord Suburban. Groceries. He spots satchel. Grabs it. Finishes route and heads back to the ranch. Jim and Nick are in the back, hanging out. Ves comes in drops satchel. Starts bullshitin'. Time wasting. They finally check out the satchel. It's locked, It's heavy. They force the lock. It's woman's stuff. They check it out. Split it up. They toss a two pound can marked face powder around. Juggle it. Toss it back and forth. They make a basket in the trashcan. Score! Satchel may be worth something. Head for the swap shop. Score a few bucks. They split for the lanes. They bowl, play pinball, Jim gives Kathy some perfume, all is well, life goes on.
Both mob and police are looking for the dope. The HEAT is on. Cops on prowl. Cops shakedown EVERYONE. The mob has muscle. The word is out. The mob leans on EVERYONE.
the LADP lt. Capt. Richard R. Allen (Harding) |
The Hoods, Mitch (Rudin) Lenny (Mansour) Mr. Fennel (Bernardi) |
The story slips out. It's headline news. Jim spots the story. Jim runs to store. Shows Ves and Nick. SHIT! We're RICH! Where's the dope? Ves dumped it in the TRASH. Check the trash. It's GONE.
The boys SCRAMBLE. Jump in the Concord. Mad DASH to the DUMP. Garbage trucks VOMIT. Rubbish in piles. The boys are diving through the loads. The landfill dozer is chugging. Against all odds they FIND it.
The dump |
Big Dreams |
They wake him up. Danny is paranoid. Danny is leery. Nick shows Danny a bindle. Danny takes a taste. Danny WANTS it. Danny WANTS it BAD. Nicks says there is more. Nick says you sell it you get MORE. Danny says come back tonight.
Danny partners with the boys |
Deal is done. Danny DELIVERS. The boys are getting FAT. The Doe is rolling in. They begin to flash wads around. Everything is COOL, everything is good until it all goes BAD.
The film has a great flashback sequence that occurs when Danny is telling Jim about the effects of horse and about the times he was busted put in jail and had to go cold turkey and suffered through horrendous agonizing effects of withdrawal.
COLD TURKEY
The cinematography is impressive, the Cold Turkey sequence is almost surrealistic. It's also well acted and narrated by Allen Kramer. This was Haskell Wexler's first feature film and it shows great promise. The film is adeptly directed by Irvin Kershner who went on to a long career in TV and film.
Noirsville
The film functions quite well as a anti-heroin message that's also thoroughly entertaining. A nice little sleeper of a film, originally a Warners release. 7/10
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