Directed by David Lynch, written by David Lynch. The film stars Isabella Rossellini (Wild at Heart (1990)) as Dorothy Vallens, Kyle MacLachlan (Twin Peaks: Fire Walk with Me (1992)) as Jeffrey Beaumont, Dennis Hopper (I Died a Thousand Times (1955), Naked City TV Series (1958–1963), The American Friend (1977), Red Rock West (1993), True Romance (1993)) as Frank Booth, Laura Dern as Sandy Williams, Hope Lange as Mrs. Williams, Dean Stockwell (The Arnelo Affair (1947), Compulsion (1959), Johnny Staccato TV Series (1959– ), Paris, Texas (1984), To Live And Die In L.A. (1985)) as Ben, George Dickerson (Cutter's Way (1981), After Dark, My Sweet (1990)) as Detective John Williams, Ken Stovitz as Mike, Brad Dourif as Raymond, Jack Nance (Hammett (1982), Barfly (1987), Wild at Heart (1990), The Hot Spot (1990), Lost Highway (1997)) as Paul, and Fred Pickler as Yellow Man.
Cinematography by Frederick Elmes (Eraserhead (1977), Wild at Heart (1990)), Music by Angelo Badalamenti (Wild at Heart (1990), Twin Peaks: Fire Walk with Me (1992), Lost Highway (1997) ), Production Design by Patricia Norris Set Decoration by Edward 'Tantar' LeViseur.
Suburbia. Classic Hollywood ideal. White picket fence. Perfect. A sky bluer than blue. Bright red roses. A hyper real technicolor dreamland. Then the real. A neighborhood. Vibes mom. Vibes apple pie. We zoom.. Grass. Closer. A miniature jungle. Closer. Bugville. Swarming. Ferocious. Vicious. Omnivores. Bug eat bug. Caos. Surreal.
Blue Velvet's premise is based on The Hardy Boys and Nancy Drew. These were fictional characters who appeared in various mystery books for children and teens. The characters were conceived in 1926 for the Hardy's and 1930 for Nancy Drew, by Edward Stratemeyer for the Stratemeyer Syndicate. The syndicate paid ghostwriters to write the stories. The Hardy Boys' stories are often linked to the various cases their detective father is assigned to.. He sometimes asks them for help, while at other times they stumble upon the bad guys and clues that are connected to his cases. Nancy on the other hand was the daughter of an attorney and similarly her cases consist of those which she stumbles upon and some of which begin as cases of her father's.
It's through the relative innocence of the films amateur detectives that we enter bizarro world. But just don't think of Blue Velvet as The Hardy Boys and Nancy Drew go to Noirsville. They go to
Jeffrey Beaumont (MacLachlan). A Dexter. Neat. Preppy. Boy Scout Type. Back home in Lumberton. The old man had a stroke. He has to run the store. Hardware. He schleps hoses. He mixes paints. He goes to visit the old man. Pop looks f-ed up. All wires and tubes. Jeffrey is bummed. He takes a shortcut back. An empty lot. A trash dump. He throws rocks at a bottle. Misses. Looking for more rocks, whoah!, WTF! It's an EAR. A frickin' EAR! Molding green and crawling with ants. Jeff just found a one way ticket to the dark side.
Jeff's small time average life is now thrust into the middle of a mystery. He's jacked. He bags it. He tags it. He takes it to Detective Williams (Dickerson) the neighborhood cop. Williams is cool. They get along. The Morgue. Coroner. He thinks it's off a live one. Cutoff with scissors. Nice. Clues. Later that night Jeffrey visits the Williams'. He meets Sandy (Dern). The daughter. Homegirl. Blond. Cute. She's cool. She knows about the ear. Her bedroom is over dad's den. She hears things. Confidential Hush-hush stuff. She's Jazzed. Leanin' gal pal. Jeffrey's amped.
|Detective Williams (Dickerson) Jeffrey (Maclachlan)|
|Our Boy & Girl detectives, discussing the "ear" case|
Jeffrey's Plan, Phase One
|Jeffrey and Sandy driving to Deep Water Apartments, Jeff's 1973 Oldsmobile Delta 88 Royale beside a 55 Caddy|
|Deep Water Lobby Jeffey in exterminator guise|
|First meet Jeffery and Dorothy|
The Slow Club
|Dorothy The Blue Lady singing Blue Velvet|
Jeffrey and Sandy bounce. They drive to The Deep Water. Jeffrey heads upstairs. Sandy will act as lookout. Honk car horn four times as warning. Sounds easy. Sounds cake.
Jeffrey is in. He wants to snoop. But he has to pee. Heineken. Dorothy drives up outside. She's early. Sandy Honks. Jeffrey flushes. He doesn't hear the horn. He starts to snoop. Key goes in lock. Lights switch on. Dorothy is home. Jeffrey is screwed. Closet is close. Hide.
Jeffrey sweats. Closet doors have louvers. Jeffrey looks. Dorothy strips off dress. Jeffrey has KINK. Jeffrey PEEPS.
Dorothy gets call. She gets anxious. She drops to her knees and retrieves a framed photograph hidden under her sofa. She looks at it. She puts it back. She goes to her bathroom. She gets naked. Comes back wearing towel. Goes to closet. Opens left side door. Gets her blue velvet robe. She doesn't see Jeffrey.
Jeffrey's Plan Phase Two
Dorothy sits down on her sofa. Jeffrey shifts his position and something falls in the closet. Dorothy hears the noise. She's frightened. She darts to the kitchen. Jeffrey SWEATS. She grabs butcher knife. Jeffrey is SHOOK.
Dorothy flings open right side door. Jeffery! 8 inch butcher knife LOOMS. Dorothy looks CRAZED. Jeffrey's SCREWED. She orders him OUT! She ORDERS him down on his knees.
Dorothy Vallens: What's your name?
Jeffrey Beaumont: Jeffrey
Dorothy Vallens: Jeffrey what?
Jeffrey Beaumont: Jeffrey Nothing.
She demands his wallet. Reads his name. Jeffrey Beaumont.
Dorothy Vallens: What are you doing in my closet, Jeffrey Beaumont?
Jeffrey stammers that he came to look. Dorothy thinks he's a voyeur. She asks him what did he see? He tells her. She tells him to take off his clothes.
Dorothy Vallens: I want to see you.
Jeffrey hesitates. He's CORNERED. She JABS the knife towards his face. She nicks his cheek. You don't argue with a CRAZY woman. You don't argue with 8 INCHES. Jeffrey strips. He's down to his boxers. She makes him stand. She tells him to come closer. She pulls down his boxers. Jeffery's EXPOSED. The moment of truth. Is this the END of Jeffery? Is it GOOD-BYE to the baloney pony?
|Frank's here, back in the closet|
Dorothy Vallens: Hello, baby.
Frank Booth: Shut up! It's Daddy, you shithead! Where's my bourbon? Can't you fucking remember anything?
Frank Booth (Hopper) has got to be one of the most bizarre villains to ever grace a movie screen. He STRUTS into the living room. He goes through this ritual of degradation with Dorothy. She sits in the chair facing Frank on the sofa. He orders her to OPEN her robe. He orders her to SPREAD her legs. He tells her to "Let me SEE it".
|It's Daddy, you shithead!|
Frank get on his knees in front of Dorothy. He pulls a gas mask from his inside jacket pocket. He inhales deeply. Frank is a NUT JOB. Frank's got some SCREWS LOOSE. Frank is seriously DERANGED.
Frank Booth: Baby wants to fuck! Baby wants to fuck Blue Velvet!
Frank Booth: Don't you fucking look at me!
Dorothy puts a piece of her blue velvet robe in his mouth. Frank goes manic. He WHIMPERS. He MOANS. He calls her MOMMY. He tells her DADDY wants to FUCK. He starts fisting Dorothy viciously. He pulls her off the chair to the floor. He rapes her. It's over quick. He's orgasmic and in a rage simultaneously. He takes off leaving Dorothy on the floor.
Jeffrey emerges. He consoles Dorothy. She's grateful. He wants to call the police. Dorothy FREAKS. No police. Frank has a hold on her. He has her husband and child hostage. She does what Frank wants. Desperate Dorothy tries to seduce Jeffrey again. She want him to HIT her. She's a masochist. Jeffrey says NO. She tells him to leave. Jeffrey starts to leave , she tells him to STAY. Dorothy is not playing with a full deck either. She's wound a bit too tight.
The next day Jeffrey tells Sandy what happened omitting his sexual encounter. He asks Sandy "Why are their people like Frank?" He goes back to The Slow Club with Sandy and watches Dorothy again. He spots Frank. Watching. He has his crew. Paul (Jack Nance) a space cadet, Raymond (Brad Dourif) a yes man, and bead bedecked Mike.
Jeffrey tells Sandy that he will tail them. Jeffrey waits in car. He follows to Frank's apartment. Jeffrey spends the next few days shadowing Frank around taking candid photos of his associates. One of them is The Yellow Man. He reports his findings to Sandy.
|Jeffrey under Dorothy's spell|
Again just when you think you've seen the weirdest it's going to get, it gets surreal.
The JOY RIDE continues ending up at a lumber mill. The log deck yard. Frank gets out his inhaler and begins to molest Dorothy. Jeffrey punches Frank. Frank is enraged. Frank's crew drag Jeffrey from the car. Frank gets dorothy's lipstick. He smears on. He kisses Jeffery.
Frank Booth: Don't be a good neighbor to her. I'll send you a love letter, [shouting] straight from my heart, fucker! You know what a love letter is? It's a bullet from a fucking gun, fucker! You receive a love letter from me, you're fucked forever! You understand, fuck? I'll send you straight to hell, fucker!
|"I'll send you straight to hell, fucker!"|
Blue Velvet is artistically innovative, wonderfully surreal, and darkly creepy. The cinematography and set design emphasise a dystopian world lurking just below a thin veneer of normalcy. Along with film noir stylistics, the film employs highly discordant color motifs. Dorothy's dimly lit apartment is all fleshy reds, pinks, and lavenders, accented with moldy greens and black trim. Hallways are dark shades of blue and foreboding. Pussy Heaven has a clashing red/green color scheme. The Slow Club's stage has a clashing red/blue motif.
Discordant Color Schemes
Lumberton is a composite of Missoula, Montana, Sandpoint, Idaho, Spokane, Washington, and Boise, Idaho, all logging and mill towns of the Pacific Northwest where David Lynch spent his childhood years. It was also my stomping grounds for 24 years. The area was again featured in Lynch's Twin Peaks and Twin Peaks: Fire Walk With Me. Wilmington, North Carolina adequately fills in for the fictitious Lumberton. It's only glaring difference is it's noticeable lack of pine fir and larch trees.
The score by Angelo Badalamenti and the various integrated classic soundtracks compliment the film. Blue Velvet is a pedal to the metal gloriously over the top ride to Noirsville. Screencaps are from the 2006 MGM special edition DVD. 10/10