Directed by William Friedkin (The French Connection (1971)), written by former U.S. Secret Service agent Gerald Petievich (novel), screenplay by William Friedkin and Gerald Petievich. Outstanding cinematography by Robby Müller (Paris, Texas (1984), Barfly (1987)) the film stars quite the cast, William Petersen (Thief (1981), Manhunter (1986)) , Willem Dafoe (Wild at Heart (1990)), John Pankow, Michael Greene, John Turturro (Miller's Crossing (1990), Barton Fink (1991), The Big Lebowski (1998)), Darlanne Fluegel (Once Upon a Time in America (1984)), Dean Stockwell (The Arnelo Affair (1947), (Compulsion (1959), (Paris, Texas (1984), (Blue Velvet (1986)), Robert Downey Sr., and Jack Hoar.
Beautifully bleak and highly stylistic. This film actually makes a lethally smoggy industrial West Coast/LA sunrise jaw droppingly gorgeous, perverting the normal aesthetic. Palm trees compete with power poles and high tension lines that diffuse into a yellowish soup. Rail yards and wrecking yards are bathed in golden light. All this segues into a montage of a series of varied illegal counterfeit $20 bill transactions.
(On a personal sidebar, in the late 60's early 70's, I lived in New York City and used to commute back and forth into Manhattan from Queens by elevated subway. I can vividly remember standing on the Queensboro Plaza station and watching the unearthly crazy colored polluted sunsets I saw over the Manhattan skyline violet, sea greens, fuschia, and pink.)
The tale is about three US Secret Service Agents who are headquartered in L.A. When not providing security for a visiting POTUS (President of the United States) they do field investigation work for the US Treasury, targeting counterfeiters.
|Richard Chance (William Peterson)|
Richard Chance (Petersen) and Jim Hart (Greene) are top notch agents. Chance the cock of the walk, is a bit reckless, a bit overconfident, a bit of a jock, a bit shady, he even shacks up in a "safe house" with a stripper Ruth Lanier (Darlanne Fluegel) that he uses as a "stoolie with benefits". He holds her probation and the ability to see her daughter as leverage.
|Ruth a stollie with benefits|
Richard Chance: Why?
Ruth Lanier: I'm just curious.
Richard Chance: I'd have your parole revoked.
Agent Hart is the veteran, steadfast, partner who is almost a father figure to Chance.
|Jim Hart (Michael Green)|
|Rick Masters (Dafoe)|
Hart, thinking the site is deserted approaches and jumps the fence. He starts to poke around and finds a trash bag full of cropped currancy paper in a dumpster. Masters and Jack, his bodyguard, surprize and kill Hart. Leading a team of agents to Masters desert warehouse Chance discovers a pool of blood soaking into the dirt from Hart's body lying in the dumpster.
|Chance at Master's desert warehouse|
Chance gets assigned a stuffy new partner John Vukovich (Pankow), a no nonsense by the book professional. Chance tells John that he is making taking down Masters a personal vendetta.
The two new partners begin putting the screws to Masters. They start by setting up a tag team surveillance post in a church across from attorney Max Waxman a well known shady shyster associate of Masters. During Vukovich's turn on watch he falls asleep, Masters shows up and whacks Waxman.
|Masters after killing Waxman|
Arriving at the unsecured crime scene Chance takes a notebook belonging to Waxman, which is apparently a payoff record. Vukovich tell's Chance that he's tampering with evidence but later back at headquarters the two come to an uneasy truce. Vukovich says he won't rat him out, but the agents now work two different angles. Chance uses the coded payoff book and his relationship with Ruth to get the inside skinny on underworld transactions. Vulkovich on the other hand arranges a meeting with Masters private attorney Bob Grimes (Dean Stockwell) in a downtown L.A. bar.
|Vukovich and Grimes (Dean Stockwell)|
Bob Grimes: I don't have a lot of time. I'm in the middle of a trial.
John Vukovich: What kind of trial?
Bob Grimes: It's a dope case. Client got busted smuggling fifty pounds of cocaine. I should be able to get him off, though. Seach warrant's weak.
John Vukovich: Weak?
Bob Grimes: Color of the house is listed as brown in the warrant, when in fact it's beige and yellow.
John Vukovich: You should be ashamed of yourself.
Bob Grimes: I don't make any apologies for being an attorney. If I didn't accept the case, somebody else would, without a doubt. Without a doubt.
|Chance and Ruth|
|Shipwreck Joey's stripper|
|Amtrak in an homage to Bad Day At Black Rock|
John Vukovich: So now you want to commit a robbery?
Richard Chance: I wouldn't call it that.
John Vukovich: What would you call it?
Richard Chance: Taking down a douche bag who's trying to break the law.
Unfortunately, the info is wrong the bag-man Thomas Ling is in reality an undercover FBI agent on a sting operation, after Chance and Vukovich abduct him they drive him to the rail yards along the Los Angeles River. There they break open the suitcase only to find a phone book. Chance knows hes carrying and finds that he has a money belt, the FBI agents that are shadowing him accidently kill Ling after a freak accident while they are trying to save him.
|The bag-man indicent|
|high angle from the FBI sniper's POV|
Chance and Vukovich not knowing what's coming down run for their car and they try to evade a swarm of FBI men. What follows is one of the greatest car chases on film easily equal to those in Bullitt (1968), The French Connection (1971), The Seven-Ups (1973), and it's also an homage the car chase after Charles McGraw in the L.A. River in the Classic Film Noir Roadblock (1951).
|6th St. Downtown L.A.|
|Santa Fe freight|
|homage to the Charles McGraw film Roadblock (1951)|
Chance and Vukovich meet Masters for the the money exchange. The agents attempt to arrest Masters when they get the evidence but Jack Pulls a shotgun and in an exchange of fire both Chance and Jack are killed. Masters escapes in the mayhem and Vukovich is stunned by his partners death.
The film has a 80's techno Wang Chung pounding beat. The cast at that time (save for Dean Stockwell) where pretty much all unknowns. The mayhem ratchets up nicely and unpredictably throughout the film. It's and anti buddy cop film.
The Noir ending, has the now jaded Vukovich visiting Ruth as she's packing up to get the hell out of Dodge. He knows Chance gave her ten G's as her cut. Ruth used it to pay off her debts. She's his bitch now.
Gritty, flamboyant, caustic, beautifully bleak 9/10