Pulp Fiction - Title Art of the Week

 

Noirsville Tune of the Week

Guy Clark  -  an American folk and country singer-songwriter and luthier

 Instant Coffee Blues

Now he washed all the road dirt from his face and from his neck

And sat down at her table, and she picked up his check

And she took him home for reasons that she did not understand

While him, he had the answers, but he did not show his hand

'Cause him, he knew the taste of this wine very well

It all goes down so easily but the next day is hell

Morning, "Man, was I drunk, " she whispered in the shower

While he lay there and smoked his way there through the final hour

And she felt wholly empty like she'd felt it every time

And he was feelin' just the same, 'cept he's tryin' to make it rhyme

Time was of the essence so they both did their best

To meet up in the kitchen feelin' fully dressed

She just had to go to work, and he just had to go

And she knew where, and he knew how to blow it off and so

They shot the breeze quite cavalier to the boilin' of the pot

And sang the Instant Coffee Blues and never fired a shot

And him, he hit the driveway with his feelings in a case

And her, she hit the stop light and touched up her face

So you tell them the difference between caring and not

And that it's all done with mirrors, lest they forgot

I said it's all done with mirrors, of which they have none

To blend the instant coffee blues into the morning sun

Noirsville Noir Art

Nighthawks - Edward Hopper

Aaron Wooten

Gaslight Noir - Olga Tuleninova

Aaron Wooten

Rainy Night Impression - Fran Ellisor

Unknown

Aaron Wooten

New York at Night - Louis-M.-Eilshemius

Aaron Wooten

iArtprints.com

Rooftops - Edward Hopper

A Walk In the Rain - Chin S Shin

How Noir of Her? - Unknown

Unknown

Unknown

Pulp Fiction / Nighthawks - Norrobey
 

Noirsville Neo Noir Images of the Week

Sunny's Bar - Brooklyn - New York City - Unknown

 

 The Cass Corridor circa 1960s - detroityes.com

Gaga - Bud Light tour

The World Theater off Times Square - The Duce Notebook - Unknown

Austin, TX - Unknown

Bodystocking - Francoise Dorleac

Open All Night - San Francisco - Noele L. 

Dancing Harry, 125th St., Harlem, New York, 1994 with Apollo Theater - Ozier Muhammad 

Unknown

Toronto Archives

Dive Bar - Brad Thomas Parsons

Peephole - how noir of whoever - Unknown

Times Square - Bennett

Blue Moon Dive Bar - Unknown

Canters Deli 1966 - Jacqueline Schnitman

Unknown

Amigos Dive Bar - Unknown

A Sweet Invitation - How Noir of her? - Unknown

Ana de Armas - Blonde (2022)

Unknown

Camera Night Ivar Theater - Unknown

Broadway - San Francisco - Uknown

Camera Night Ivar Theater - Unknown

Unknown

Camera Night Ivar Theater - Unknown

Noir Short of the Month

 Short film & Feature Project (Special edition with English subtitles.)

 "In the shadow"

Fabrice Mathieu 

A fantasy film noir with shadows. (Black & White. French with english subtitles).

Un film noir fantastique avec des ombres. (Noir & Blanc. Français avec sous-titres anglais).

A shadow is telling its life story with his "Wearer", a flesh and bone double, who one day it decides to get rid of...

Une ombre raconte sa vie avec son "Portant", ce double de chair et de sang, qu'elle décide un jour d'éliminer...

Narrated by Roger Candy.

Music by Roque Banos & Danny Elfman.

Written, edited & directed by Fabrice Mathieu.

This short film is a prequel to a full feature movie script called "Dans l'ombre", written by Fabrice Mathieu. This project is looking for producers.

Ce court-métrage est le prequel d'un scénario de long-métrage écrit par Fabrice Mathieu et intitulé "Dans l'ombre". Ce projet est à la recherche de producteurs.

This prequel is a research and editing work based on footages from more than sixty movies showing the most beautiful shadows in the cinema history, from "Nosferatu" to "Sin City". The story is narrated from the shadows point of view.

Ce prequel est un travail de montage et de recherche d'archives. Il regroupe des plans d'une soixantaine de films, montrant les plus belles ombres de l'histoire du. cinéma,  de "Nosferatu" à "Sin City". L'histoire est narrée du point de vue des silhouettes.