Joe and Moe might walk a mile for a camel, but the question is, how far would a camel run for them? Find out in this our 5th installment of the ZBS series
Friday, December 9, 2016
Thursday, December 8, 2016
9 years after making Harper (1966), Paul Newman reprises his role of private eye Lew Harper in The Drowning Pool. The Harper character is based on Ross Macdonald's private eye Lew Archer who was based in the fictional town Santa Teresa (Santa Barbara) just North of L.A.
The film was directed by Stuart Rosenberg (Cool Hand Luke (1967), Voyage of the Damned (1976)), and written by Tracy Keenan Wynn, Lorenzo Semple Jr. (The Parallax View (1974) and Three Days of the Condor (1975)), and Walter Hill (Hickey & Boggs (1972), The Getaway (1972), Hard Times (1975), Last Man Standing (1996)).
The cinematography was by Gordon Willis (Klute (1971), The Godfather (1972), The Parallax View (1974), The Godfather: Part II (1974), Pennies from Heaven (1981), the music was by Michael Small (The Postman Always Rings Twice (1981), Black Widow (1987) Night Moves (1975)) with an instrumental version of 1971 hit song "Killing Me Softly" composed and conducted by Charles Fox serving as the leitmotif for the character Iris whenever she is on screen.
The film stars Paul Newman (Somebody Up There Likes Me (1956), Hud (1963), ) as Lew Harper, Joanne Woodward (A Kiss Before Dying (1956), The Fugitive Kind (1960), Signpost to Murder (1964)) as Iris Devereaux.
|Lew Archer (Paul Newman)|
|Iris (Joanne Woodward)|
Anthony Franciosa (credited as Tony Franciosa) (A Face in the Crowd (1957), ) as Chief Broussard, Murray Hamilton (The Hustler (1961)), as Jay Hue "The Crab" Kilbourne, and Gail Strickland as Mavis Kilbourne.
|Chief Broussard (Tony Franciosa)|
|Harper rt. Jay Hue Kilbourne (Murray Hamilton)|
|Mavis Kilbourne (Gail Strickland)|
|Schuyler (Melanie Griffith)|
|Harper lt. Gretchen (Linda Hayes) rt.|
|Lt. Franks (Richard Jaeckel) center|
|Pat Reavis (Andy Robinson)|
|Olivia Devereaux (Coral Brown)|
Too little too late. If Harper (1966) was the success the studio claimed it was, they should have put out another film out a year later, but oh wait, the studio era ended, film production was controlled by the studio heads anymore. We had to wait nine years for the next Harper/Archer film. Every year of delay more stars from the Classic Noir era who could have been used to bring a bit of cinematic memory/magic to a Neo Noir were lost. Nowadays all kinds of repetitive superhero carapola gets greenlighted, buy the suits who want to franchise properties, just like, like, like, the old studio heads, BINGO! Too bad Noir fans, there wasn't this mentality for Film Noir. We have lots of material that's never been optioned and made into film. Not only for Ross Macdonald with 15 novels...
The Way Some People Die – 1951
The Ivory Grin (aka Marked for Murder) – 1952
Find a Victim – 1954
The Barbarous Coast – 1956
The Doomsters – 1958
The Galton Case – 1959
The Wycherly Woman – 1961
The Zebra-Striped Hearse – 1962
The Chill – 1964
The Far Side of the Dollar – 1965
Black Money – 1966
The Instant Enemy – 1968
The Goodbye Look – 1969
Sleeping Beauty – 1973
The Blue Hammer – 1976
... still available to film, but also have the great Raymond Chandler's Payback - 1958 and quite a few of the rest of the top hard boiled writers stories out there, that are a real treasure trove of material. Again too bad, the farther you get away from the era the novels were written the harder it is to adapt without committing to make it a period piece in the era the novel depicted, the idioms, the slang become archaic and meaningless over time. You also have the problem of finding actors who are believable denizens of your re creation.
Film Soleil Louisiana
Private detective Lew Harper of southern California, flies out to New Orleans on a case at the bequest of a Mrs. James Devereaux. When he meets Mrs. Devereux he is surprised to discover that she is actually a girlfriend named Iris with whom he had a voluptuous fling with in L.A. six years earlier. She reveals to Lew that she has been married for 17 years to James Devereaux, a closet homosexual "playwright" of unproduced plays, and they both live with their 17 year old daughter Schuyler, and his overbearing mother Olivia Devereux on the huge family plantation Rivage.
She has called Harper to investigate the appearance in the mail of a blackmail letter to James suggesting her infidelity with other men. Iris believes that the letter came from Pat Reavis the family chauffeur that Iris just recently fired. Complicating the family intrigue is wayward daughter Schuyler who tries to proposition Harper in his Rivage Townhouse Motel room. As soon as Harper arrives his presence starts to shake things up in the best noir/hardboiled tradition setting up a chain reaction right to Noirsville. He gets rousted by Chief Broussard and Lieutenant Franks of the Louisiana local cops. Buttonholed by local mobbed up oil tycoon Jay Hue "Crab" Kilbourne who wants to "slant drill" him for information. And most importantly gets both touched and worried over his former lover Iris' quiet desperation in her crumbling antebellum alcoholic world.
The films real highlights are the scenes between Harper and Iris, there's a nice believable chemistry going on between Newman and Woodward, accompanied by a hauntingly beautiful arrangement of "Killing Me Softly" as Iris' leitmotif. Woodward's performance evokes in a good way just about every Tennessee Williams film adaptations "femme se désintégrer". There is some humor also, when Lew suggest that she leave, Iris "born into the lace" (good blood no money) is accustomed to style, surveying about her opulent surroundings replies "and do what?" Newman's reaction is chuckle worthy.
The big set piece is the denouement at the old Evangeline Sanitarium's Hydrotherapy Room.
The Drowning Pool
The film chugs along through various intrigues and colorful characters, bayou cajuns, the trusting ditsy prostitute Gretchen, the crooked cop Franks, the horny trophy wife of Kilbourne, Mavis. The film is entertaining enough, with some interesting locations, but it seems a bit old fashioned and restrained comparatively to 1975's Night Moves, I still like it. Screencaps are from the Warner Archives DVD. 8/10