"Lawrence Tierney breaks Good".
Directed by Max Nosseck (Dillinger, The Brighton Strangler, The Hoodlum). Written by Arnold Lipp, Max Nosseck and Lawrence L. Goldman. The cinematography was by J. Roy Hunt (I Walked with A Zombie, Crossfire), and the Music was by Karl Hajos.
The Hollywood Reporter news item noted that this was the first American-financed production to be filmed entirely in Portugal. Juno Productions made a plausible Brazil out Portuguese locations.
An Eagle - Lion 67 minute production, starring Lawrence Tierney as Robert Warren, George Coulouris as Victor Sloma, Marissa O'Brien as Maria Marek.
Lawrence Tierney as Robert Warren |
Marissa O'Brien as Maria Marek |
George Coulouris as Victor Sloma |
Rudolph Anders as Gregory Marek |
With Rudolph Anders as Gregory Marek, Lopes da Silva as Huerta, Veloso Pires as Damiao, Leonor Maia as Nina, João Amaro as Jose, Licinio Sena as Procopio, Helga Liné as Blonde Dancer, and Lobo as Overseer.
The Story
Incredibly cheap, slightly corny, vaguely tropic sounding, cabaret music, that doesn't remotely suggest Brazil to me, with a montage of stock footage of Brazil.
Jungleville |
Robert Warren a 30 year old ex GI who fought in the Pacific now a reliable HVAC engineer, pulls up in the town's equivalent of a taxi a two wheel donkey cart. He's outside Huerta's International Café. (If it was a Mexican Noir it would probably be a Cabaretera).
Robert just finished the install on the air-conditioning system. He's dressed snazzily in a light linen suit, a white Panama hat, and what looks like huge, size 14 white "nubuck" resort shoes. He's there to see Huerta for his money.
Check out the nubucks |
Check out the nubucks |
I haven't seen him |
Helga Liné as Blonde Dancer |
One of the genuine blondes, a slinky number with long hair, who looks remarkably up to date, is practicing her dance routine.
A dance routine, which since this is under the "code," we can safely assume (in our imaginations, of course), is going to eventually end in the genuine blonde "reveal." Wink, wink.
The Blonde looks Robert over and likes what she sees, and of course, Robert likes what he sees also. The rehearsal ends.
Blonde: Oh I'd love to go with you to, but.
Robert: Oh your cabarrero is jealous. Don't be silly Jose you old horse, I'll be out of here tomorrow.
Our tale goes off the tracks a bit during a rendition of Oh Suzanna sung by Robert who dances with the second blonde. As soon as Huerta walks in Robert breaks off the fun and asks Huerta for his money.
now your stalling about the dough |
Lopes da Silva as Huerta |
Huerta tells Robert that he's not carrying it on him. Tells him he has to go to the office. Robert answers that he better be back in five minutes. All this in front of the bartender the musicians, the two blondes. Robert starts in with Oh Suzanna again this time dancing with the first blonde.
Five minutes are up. |
She runs out screaming for the police. At that moment the real killer busts out of the closet and out the back entrance to the club.
Robert is now chases after him. One of the Café workers who runs into Huerta's office spots Robert through the window running and yells out pointing Robert out to the police, who begin a chase.
The killer ran down towards the riverfront. Robert follows but is forced to start climbing roofs and jumping fences running for his life from the various converging police patrols.
white motorboats |
When Robert gets to the waterfront, he runs out on some gangways and docks. He's taking fire from the police, and a bullet grooves his shoulder. He falls dramatically into the water, disappearing from view. The police assume they hit him.
Through all that, he still has his nubucks on, how Noir is that?
Maria is startled by Robert |
On the ship he meets Maria Marek. It's her cabin he stepped thru the window into. She is an ex concert pianist. They like what each other sees. However the riverboat is going to her husbands plantation, so of course were getting a love triangle thrown in.
Noirsville
It's a watchable curiosity, and it's free on YouTube. Tierney as the leading man "love interest" is a bit much. In this, he looks sort of like a big, slightly goofy looking think Crispin Glover as George McFly in Back To The Future but big looks like a former college linebacker. He's an ex GI who fought in the Pacific and knows the jungle.
It's got to be the clothes he's wearing. His "summer" attire. The big white shoes look like motorboats and give off a cartoonish aura, and the pants are belted north of his elbows almost up to his armpits. He also goes sans hat a lot.
It's opening sequences reminded me of the similar and infinitely superior scenario in Neo Noir The Wrong Man (1993). It also is memorable to me for blonde dancer Helga Liné. She is a beauty who looks very contemporary and up to date in this film. It looks from the films posters that the studio saw some potential attraction value in putting Helga on it.
Worth a watch 6.5/10.
No comments:
Post a Comment